I am a HUGE faggot.

хули слово handmade есть, а слово handmake не существует?

Сегодня я развлекался наговаривая английские скороговорки в гуглораспознавалку речи. Вопрос: как произнести имя Sasha чтобы это пидорасье меня поняло?

> some of our students will also have been stripped last night of those named as their guardians > will have been Как это работает?

https://animemangastudies.wordpress.com/2015/02/07/annual-bibliography-of-anime-and-manga-studies-2010-ed/ "To the best of my knowledge, 2010 was simply THE high point to date of English-language scholarly interest in anime and manga, with 10 new monographs, 6 essay collections (with a total of well over a hundred chapters), 29 more chapters in other essay collections, and over 60 individual articles in scholarly-peer reviewed journals. ... A number of studies and discussions of particular types of fan activities and practices – such as Ian Condry’s ‘Dark energy: What fansubs reveal about the copyright wars‘ (Mechademia, 5), Mizuko Ito’s Ito’s The rewards of non-commercial production: Distinctions and status in the anime music video scene (First Monday, 15:5), and my own Fighting the fan sub war (Transformative Works and Cultures, 5). ... Aso, Noriko. Revolutionary girls: From Oscar to Utena. In Mitsuhiro Yoshimoto, Eva Tsai & JungBong Choi (Eds.), Television, Japan, and globalization (pp. 151-172). Ann Arbor, MI: Center for Japanese Studies. ... *** OPEN ACCESS *** Bryce, Mio. Cheung, Paul, & Gutierrez, Anna Katrina. Clones, hybrids and organ transplants in manga and anime. International Journal of the Humanities, 8(5),279-290. [Neon Genesis Evangelion, Phoenix] ... Chen, Haiwen, Russell, Richard, Nakayama, Ken, & Livingstone, Margaret. Crossing the ‘uncanny valley': Adaptation to cartoon faces can influence perception of human faces. Perception, 378-386. ... *** OPEN ACCESS *** Koulikov, Mikhail. Fighting the fan sub war: Conflicts between media rights holders and unauthorized creator/distributor networks. Transformative Works and Cultures, 5. ... *** OPEN ACCESS *** Nagaike, Kazumi. The sexual and textual politics of Japanese lesbian comics: Reading romantic and erotic yuri narratives. The Electronic Journal of Contemporary Japanese Studies, Article 4 in 2010. ..."

Выглядит, внезапно, годно: https://www.kickstarter.com/projects/1908899476/avas-demon-book-two/

http://ateneojspconference.blogspot.ru/2014/06/15th-annual-international-conference-on.html?spref=tw "CALL FOR PAPERS 15th Annual International Conference on Japanese Studies & the 6th Women’s Manga Conference A Joint International Conference by Ateneo de Manila University, Japanese Studies Program with the support of the Japan Foundation, Manila Office and Women’s MANGA Research Project (JSPS KAKENHI Grant Number 24320047) Manga and the Manga-esque: New Perspectives to a Global Culture DATES: 22-25 January, 2015 VENUE: Ateneo de Manila University, Manila OVERVIEW: In the recent years, academic scholarship towards popular culture has been increasing. But why study Manga? Like all forms of popular culture, the consumption of such can produce social norms, establish social boundaries, and create rituals that generate social solidarity, generate innovation, and pave the way for social change, becoming a powerful and oft ignored media. The Japanese Government has realized this potential and has been using manga and anime as part of its soft power diplomacy. Recently, South Korea has been doing the same with K-pop and K-drama. Furthermore, the Philippine Department of Foreign Affairs has begun a campaign using Filipino komiks and animation. But none of these media have the same influence as manga. Manga, a Japanese term, which has now been accepted not only to refer to the comics published in Japan, but to also refer to works published in the various localities which derive their inspiration from that coming from Japan. While there have been several conferences and scholarship dealing with the topic of manga, the literature is quite divided between the lines of Western-based and Japanese-based scholarship. The Philippines becomes an interesting setting for a conference on manga, with its hybridized culture. The conference will not only provide fresh perspectives towards the study of manga, but will include studies of the manga-esque. The study of the manga-esque not only provides a peek towards Japan's influence to the local culture, but also provides a peak towards the cultural negotiations of their creators to their local culture. The proposed conference would invite distinguished manga scholars from Japan and the world, which will then provide fresh perspectives in studying manga as a global culture"

Бля, какой убогий перевод, даже я слышу, что всё не так.

https://petitions.whitehouse.gov/response/response-we-people-petition-nadiya-savchenko "Use all legal means to free ukrainian soldier Nadiya Savchenko, who is a political prisoner of the Kremlin regime. Response to We the People Petition on Nadiya Savchenko The United States has repeatedly called for the release of Ukrainian pilot Nadiya Savchenko, most recently on November 12, in remarks delivered at the United Nations by U.S. Ambassador Samantha Power. Russia and the separatist proxies it supports committed to 12 points when they signed the Minsk Protocol on September 5. In Point 5 of the Protocol, Russia agreed to immediately free all hostages and illegally held persons. Yet Russia and the separatists it backs continue to hold at least 500 hostages. They include Savchenko, as well as Ukrainian film director Oleg Sentsov, both of whom were captured by separatists on Ukrainian soil and illegally transported against their will to Russia. We once again call on Russia to release Savchenko, and all hostages and illegally held persons, as well as to fulfill all of the commitments it and the separatists it backs signed up to in Minsk. We have repeatedly made it clear that President Putin has a choice. If he is willing to find a lasting settlement to the conflict in Ukraine within the context of the Minsk agreements and without setting unreasonable conditions, sanctions could be rolled back. If Russia continues to flout its commitments and continue its dangerous and destabilizing actions, then the costs to Russia will continue to rise."

Евросовок совсем плох, раз даже экоблядки могут учёных советников гонять: http://www.dailymail.co.uk/news/article-2833891/Britain-s-EU-adviser-backs-GM-farming-ousted-Campaigners-claim-victory-fight-against-foods-job-scrapped.html "Campaigners claimed a victory in their fight against genetically modified food last night after the EU scrapped the job of a controversial British scientist. Professor Anne Glover, who served as chief scientific adviser to the EU from 2012, had argued that opposition to GM crops is ‘a form of madness’. Groups worried about so-called ‘Frankenfoods’ wanted her position abolished, saying one adviser should not have so much influence on EU policy. The EU Commission confirmed last night that her position was being abolished along with the Bureau of European Policy Advisers under which it fell."

Пришла к успеху: https://www.kickstarter.com/projects/1841801090/fallen-vol-1-graphic-novel-by-ogawa-burukku http://www.inkblazers.com/manga-and-comics/FaLLEN/detail-page/2409?lang=en http://www.inkblazers.com/blogs/Interview-FaLLEN-by-Ogawa-Burukku/detail-page/7443 https://www.mangaupdates.com/series.html?id=104233 > Well, originally I wanted to do storyboarding for Disney’s Feature Animation division, and I was in fact all setup to jump right in after I graduated from SCAD, but I think it was around 2003 when the company dropped their 2D department in favor of doing lousy CG movies. I was not (and still am not) a fan of totally CG animated movies, and since at the time the whole industry was going belly-up as animation studios closed their doors and others quickly tried to master 3D lighting, I decided to go another route. In 2004 I moved to Japan and started attending a school for making manga, because all I wanted to do was tell stories with sequential art. This was just another way to do that without the end result being poopy CG puppets. > When I went to other publishers, people kept telling me I was too old… at 26. Japan likes young artists they can mold, and I have actually found that the better I get, the less interested editors have become. When I was younger and terrible, I had several bites. Now that I’m exponentially better at what I do, people tell me I’m great but don’t seem interested in giving me jobs. The fact that I’m a foreigner doesn’t help. The feedback I’ve gotten from editors (I’d say I’ve been to about 30 since coming to Japan) has always been mixed, but most guys I’ve met with have been pretty young and it doesn’t seem they have any idea what they are talking about. When I asked one guy if there was anything I could work on, he told me “Practice drawing every day.” Clearly, I’m not a beginner. Clearly I’ve been doing this for a while. But he wasn’t equipped to handle more advanced artists, and that was the best advice he could give.

Японская монополия https://www.kickstarter.com/projects/1868020927/akindo-2nd-edition-real-japanease-cultural-game

мать раздела ребенка - mother of the child in this section отец раздел ребенка - father of the child section он раздел ребенка - it is separated child у нее складная фигура - Folding her figure я всё смету на своём пути - I'm an estimate on its way что было мочи - that had urine